The Forest of Hands and Teeth's By: Carrie Ryan

Date of Birth	20 October 1966, Rochester, New York, USA
Birth Name	Carrie Jane Ryan
Nickname	Atheria
Height	5' 1½" (1.56 m)

Mini Bio (1)

Carrie Ryan was born in Rochester, NY and moved to Los Angeles, CA in 8/1985 where she lived until 12/2005 when she moved to Albuquerque, NM. Although she loved NM, things didn't work out as planned and she moved back to Los Angeles in 6/2006 where she only lasted until 4/2008 when she couldn't take the city anymore. :-) At that time, she moved to Lake Oswego/West Linn, OR and stayed there until 12/2009 when she was called back to Albuquerque. As of this writing (3/9/2014) she is still living and working in Albuquerque and has gotten back into the acting biz in what's known as Tamalewood. The last few years while in Los Angeles, she worked for Sony Pictures Entertainment, mostly at Wheel of Fortune and Jeopardy. Carrie's life changed dramatically in 1996 thanks to healer Eric Pearl, and she became very psychic (had an ability since birth but he really blew open her chakras) and started being able to communicate with "dead people" and eventually started trance channeling. Numerous spiritual experiences sent her on a whole new path in life. In 2007 Warner Bros. chose her and 5 other psychics for a TV series pilot called "Gifted". But, acting and singing are in her blood and an important part of who she is. She is also a major animal lover and has cat parent. You can also find Carrie on Twitter with the username Atheria, which is her "soul name" and a name by which many friends know her.

The Forest of Hands and Teeth's By: Carrie Ryan

Mary lives in a town ruled by the Sisterhood and the Guardians. The village is surrounded by fences; beyond lies only forest. There are only three ways through the fence: gates that open on paths that are themselves enclosed by fencing, expelling those who've been infected. Where the two paths lead, no one knows, for the Sisterhood says the village is the only human habitation left on Earth.

Mary has been raised on stories passed down from her great-great-great-grandmother about life before the coming of zombies. She is especially fascinated by the ocean and believes if she could reach it, she would be free.

Her adventure starts when there is a breaching in the fence. Mary must escape, find true love, and friendship while figuring out the mystery behind the other gates and fences. After a sad, hectic, twisted turn of events she finds the ocean, but it isn't at all what she expected.

The Boy Named Crow By: Haruki Murakami

Haruki Murakami 村上 春樹
Murakami in 2005, giving a lecture at MIT.
Born	January 12, 1949 (age 67) Kyoto, Japan
Occupation	Novelist, short-story writer, essayist, translator
Nationality	Japanese
Genre	Fiction, surrealism, magical realism, science fiction,Bildungsroman, picaresque,realism
Notable works	A Wild Sheep Chase (1982) Norwegian Wood (1987) The Wind-Up Bird Chronicle(1994-1995) Kafka on the Shore (2002) 1Q84 (2009–2010)

The Boy Named Crow By: Haruki Murakami

Comprising two distinct but interrelated plots, the narrative runs back and forth between both plots, taking up each plotline in alternating chapters.

The odd chapters tell the 15-year-old Kafka's story as he runs away from his father's house to escape an Oedipal curse and to embark upon a quest to find his mother and sister.^[1] After a series of adventures, he finds shelter in a quiet, private library in Takamatsu, run by the distant and aloof Miss Saeki and the intelligent and more welcoming Oshima. There he spends his days reading the unabridged Richard Francis Burton translation of One Thousand and One Nights and the collected works of Natsume Sōseki until the police begin inquiring after him in connection with a brutal murder.

The even chapters tell Nakata's story. Due to his uncanny abilities, he has found part-time work in his old age as a finder of lost cats (notably, Murakami's earlier work The Wind-Up Bird Chronicle also involves searching for a lost cat). The case of one particular lost cat puts him on a path that ultimately takes him far away from his home, ending up on the road for the first time in his life. He befriends a truck driver named Hoshino, who takes him on as a passenger in his truck and soon becomes very attached to the old man.

Coraline By: Neil Gaiman

Neil Gaiman
Neil Gaiman, April 2013
Born	Neil Richard Gaiman 10 November 1960 (age 55) Portchester, Hampshire, England
Occupation	Author, comic book creator, screenwriter, voice actor
Nationality	British
Period	1980s–present
Genre	Fantasy, horror, science fiction,dark fantasy
Notable works	The Sandman, Neverwhere,American Gods, Stardust,Coraline, The Graveyard Book,Good Omens, The Ocean at the End of the Lane
Spouse	Mary McGrath (1985–2007) Amanda Palmer (2011–present)

Coraline By: Neil Gaiman summary

Coraline Jones and her parents move into an old house that has been divided into flats. The other tenants include Miss Spink and Miss Forcible, two elderly women retired from the stage, and Mr. Bobo, initially referred to as "the crazy old man upstairs", who claims to be training a mouse circus. The flat beside Coraline's is unoccupied.

One rainy day Coraline discovers a locked door in the formal living room. She begs her mother to unlock the door, which at one point led to the apartment next door, and they discover that it has been bricked up. Coraline goes to visit her new neighbors and Mr. Bobo relays to her a message from his mice: "Don't go through the door". Coraline has tea with Miss Spink and Miss Forcible, and Miss Spink spies danger in Coraline’s future after reading her tea leaves. She then gives her a lucky stone with a hole in the middle. The ladies explain that the stone is supposed to be "good for bad things". She says it will help her in the future.

Despite these warnings, Coraline decides to unlock the door when she is home by herself. This time, she finds the brick wall behind the door gone. In its place is a long hallway that leads to a flat identical to her own but inhabited by the "Other Mother" and "Other Father". They seem to look like her parents, except that in place of eyes, they have shiny black buttons. The Other Mother, however, is notably taller and thinner than her real mother. Her black hair seems to move by itself, her skin is paper-white, and her nails are long and red. In this “Other World”, Coraline finds everything to be more interesting than in her world: the Other Mother cooks food that she actually enjoys, both of her Other Parents pay more attention to her, her toy box is filled with animate toys that can move and fly, the Other Miss Spink and Miss Forcible perform a never-ending act in their flat, and the Other Mr. Bobo performs a rat circus. She even finds that the feral black cat that wanders around the house in the real world can talk. The cat identifies itself as the same cat that lives in the real world, and possesses the ability to travel through the gaps between the two worlds. Although intentionally rude and unhelpful for the greater part of the conversation, it briefly praises her for bringing "protection", then vanishes.

After Coraline returns to the copy of her flat, the Other Mother offers Coraline the opportunity to stay in the Other World forever, but in order to do so, Coraline must allow buttons to be sewn into her eyes. Coraline is horrified and returns through the door to her home. Upon her return to her apartment, Coraline finds that her real parents are missing. They do not return the next day, and the black cat wakes her and takes her to a mirror in her hallway, through which she can see her trapped parents. They signal to her by writing "Help Us" on the glass, from which Coraline deduces the Other Mother has kidnapped them. Though frightened of returning, Coraline goes back to the Other World to confront the Other Mother and rescue her parents. In the garden, Coraline is prompted by the cat to challenge the Other Mother, as “her kind of thing loves games and challenges”. The Other Mother tries to convince Coraline to stay, but Coraline refuses, and is locked within a small space behind a mirror as punishment.

In the small dark closet space, she meets three ghost children. Each had in the past let the Other Mother, who they archaically refer to as the "beldam"; sew buttons over their eyes. They tell Coraline how the Other Mother eventually grew bored with them, and eventually they died and she cast their spirits aside, but they are trapped there because she has kept their souls. If their souls can be rescued from the Other Mother, then the ghosts can pass on. The ghost children implore Coraline to escape and avoid their fate.

After the Other Mother releases Coraline from the mirror, Coraline proposes a game: if she can find the ghost children's souls and her parents, then she, her parents, and the ghost children may go free. If she loses, then Coraline will let the Other Mother sew the buttons into her eyes and become a loving daughter to her.

Coraline searches through the Other World and overcomes the Other Mother's obstacles by using her wits and Miss Spink's lucky stone to find the marble-like souls of the ghost children and deduces that her parents are imprisoned in a snow globe on the mantelpiece. The ghost children warn her that even if Coraline wins, the Other Mother will not let them go, so Coraline tricks the Other Mother by announcing that she knows where her parents are hidden: in the passageway between the worlds. The Other Mother cannot resist gloating by opening the door to show Coraline that her parents are not there. When the Other Mother opens the door Coraline throws the cat at the Other Mother, grabs the snow globe, and escapes to the real world with the key, and the Cat quickly follows. While escaping, Coraline forces the door shut on the Other Mother's hand. Back in her home, Coraline falls asleep on a chair. She is awoken by her parents who have no memory of the events.

That night, Coraline has a dream in which she meets the three children at a picnic. The children are dressed in clothes from different periods and one seems to have wings. They warn her that her task is still not done: the Other Mother hates her and will try to get the key back to open the door between the worlds. Coraline realizes that the Other Mother's severed hand is after her and devises a plan to catch it. She goes to the old well in the woods to dispose of the key. She pretends to have a picnic, with the picnic blanket laid over the entrance to the well. The Other Mother's severed hand attempts to seize the key, but steps on the blanket and falls into the well. Coraline returns back to the house, greeting her neighbours (who finally get her name right), and getting ready for her new school tomorrow.

The Folded Earth By: Anuradha Roy

Anuradha Roy
Roy grew up mainly in Hyderabad, India, where she was educated at Nasr School. She studied English Literature at Presidency College, then affiliated with theUniversity of Calcutta and at the University of Cambridge. She is the co-founder of Permanent Black, a publishing house started in 2000.

The Folded Earth By: Anuradha Roy Summary

The girl came at the same hour, summer or winter. Every morning, I heard her approach. Plastic slippers, the clink of steel on stone. And then her footsteps, receding. That morning she was earlier. The whistling thrushes had barely cleared their throats, and the rifle range across the valley had not yet sounded its bugles. And, unlike every other day, I did not hear her leave after she had set down my daily canister of milk.

She did not knock or call out. She was waiting. All went quiet in the blueness before sunlight. Then the soothing early morning mutterings of the neighborhood began: axes struck wood, dogs tried out their voices, a rooster crowed, wood-smoke crept in through my open window. My eyelids dipped again and I burrowed deeper into my blanket. I woke only when I heard the General walking his dog, reproaching it for its habitual disobedience, as if after all these years it still baffled him. “What is the reason, Bozo?” he said, in his loud voice. “Bozo, what is the reason?” He went past every morning at about six thirty, which meant that I was going to be late unless I ran all the way.

I scrabbled around, trying to organize myself—make coffee, ?nd the clothes I would wear to work, gather the account books I needed to take with me—and the milk for my coffee billowed and foamed out of the pan and over the stove before I could reach it. The mess would have to wait. I picked up things, gulping my coffee in between. It was only when I was lacing my shoes, crouched one-legged by the front door, that I saw her

out of the corner of an eye: Charu, waiting for me still, drawing circles at the foot of the steps with a bare toe.

Charu, a village girl just over seventeen, lived next door. She had every hill person’s high cheekbones and skin, glazed pink with sunburn. She would forget to comb her hair till late in the day, letting it hang down her shoulders in two disheveled braids. Like most hill people, she was not tall, and from the back she could be mistaken for a child, thin and small-boned. She wore hand-me-down salwar kameezes too big for her, and in place of a diamond she had a tiny silver stud in her nose. All the same, she exuded the reserve and beauty of a princess of Nepal—even if it took her only a second to slide back into the awkward teenager I knew. Now, when she saw I was about to come out, she stood up in a hurry, stubbing her toe against a brick. She tried to smile through the pain as she mouthed an inaudible “namaste” to me.

I realized then why she had waited so long for me. I ran back upstairs and picked up a letter that had come yesterday. It was addressed to me, but when I opened it, I had found it was for Charu. I stuffed it into my pocket and stepped out of the front door.

My garden was just an unkempt patch of hillside, but it rippled with wild?owers on this blue and gold morning. Teacup-sized lilies charged out of rocks and drifting scraps of paper turned into white butter?ies when they came closer. Everything smelled damp, cool, and fresh from the light rain that had fallen at dawn, the ?rst after many hot days. I felt myself slowing down, the hurry draining away. I was late anyway. What difference did a few more minutes make? I picked a plum and ate it, I admired the butter?ies, I chatted of this and that with Charu.

Excerpt 1

one

The girl came at the same hour, summer or winter. Every morning, I heard her approach. Plastic slippers, the clink of steel on stone. And then her footsteps, receding. That morning she was earlier. The whistling thrushes had barely cleared their throats, and the rifle range across the valley had not yet sounded its bugles. And, unlike every other day, I did not hear her leave after she had set down my daily canister of milk.

She did not knock or call out. She was waiting. All went quiet in the blueness before sunlight. Then the soothing early morning mutterings of the neighborhood began: axes struck wood, dogs tried out their voices, a rooster crowed, wood-smoke crept in through my open window. My eyelids dipped again and I burrowed deeper into my blanket. I woke only when I heard the General walking his dog, reproaching it for its habitual disobedience, as if after all these years it still baffled him. “What is the reason, Bozo?” he said, in his loud voice. “Bozo, what is the reason?” He went past every morning at about six thirty, which meant that I was going to be late unless I ran all the way.

I scrabbled around, trying to organize myself—make coffee, ?nd the clothes I would wear to work, gather the account books I needed to take with me—and the milk for my coffee billowed and foamed out of the pan and over the stove before I could reach it. The mess would have to wait. I picked up things, gulping my coffee in between. It was only when I was lacing my shoes, crouched one-legged by the front door, that I saw her

I said nothing of the letter. I felt a perverse curiosity about how she would tell me what she wanted. More than once, I heard her draw breath to speak, but she either thought better of it or came up with, “It has rained after three weeks dry.” And then, “The monkeys ate all the peaches on our tree.”

I took pity on her and produced the letter from my pocket. It had my address and name, written in Hindi in a large, childish hand.

“Do you want me to read it for you?” I said.

“Yes, alright,” she said. She began to fiddle with a rose, as if the letter were not important, yet darted glances in its direction when she thought I was not looking. Her face was transformed by relief and happiness. “My friend Charu,” the letter said:

How are you? How is your family? I hope all are well. I am well. Today is my tenth day in Delhi. From the first day I looked for a post office to buy an inland letter. It is hard to find places here. It is a very big city. It has many cars, autorickshaws, buses. Sometimes there are elephants on the street. This city is so crowded that my eyes cannot go beyond the next house. I feel as if I cannot breathe. It smells bad. I remember the smells of the hills. Like when the grass is cut. You cannot hear any birds here, or cows or goats. But the room Sahib has given me is good. It is above the garage for the car. It faces the street. When I am alone at the end of the day’s cooking, I can look out at everything. I get more money now. I am saving for my sister’s dowry and to pay off my father’s loan. Then I can do my heart’s desire. Send me a print of your palm in reply. That will be enough for me. I will write again.

Your friend. 

“Who is it from?” I asked Charu. “Do you know someone in Delhi, or is this a mistake?” 

“It’s from a friend,” she said. She would not meet my eyes. “A girl. Her name is Sunita.” She hesitated before adding: “I told her to send my letters to you because—the postman knows your house better.” She turned away. She must have known how transparent was her lie. 

I handed her the letter. She snatched it and was halfway up the slope leading from my house to hers before I had closed my fist. “I thought I taught you to say thank you,” I called after her. She paused. The breeze ?uttered through her dupatta as she stood there, irresolute, then ran down the slope back to me. She spoke so quickly her words ran into each other: “If I bring you extra milk every day . . . will you teach me how to read and write?”

The Amazing Adventures of Kavalier and Clay by: Michael Chabon

Michael Chabon ( Born May 24, 1963 ) is an American novelist and short story writer.

Chabon's first novel, The Mysteries of Pittsburgh (1988), was published when he was 25. He followed it with a second novel, Wonder Boys (1995), and two short-story collections. In 2000, Chabon published The Amazing Adventures of Kavalier & Clay, a novel that John Leonard, in a 2007 review of a later novel, called Chabon's magnum opus. It received the Pulitzer Prize for Fiction in 2001 (see: 2001 in literature).

His novel The Yiddish Policemen's Union, an alternate history mystery novel, was published in 2007 and won the Hugo,Sidewise, Nebula and Ignotus awards; his serialized novel Gentlemen of the Road appeared in book form in the fall of that same year. Chabon's most recent novel, Telegraph Avenue, published in 2012 and billed as "a twenty-first centuryMiddlemarch," concerns the tangled lives of two families in the Bay Area of San Francisco in the year 2004.

His work is characterized by complex language, the frequent use of metaphor along with recurring themes, including nostalgia, divorce, abandonment, fatherhood, and most notably issues of Jewish identity. He often includes gay, bisexual, and Jewish characters in his work. Since the late 1990s, Chabon has written in an increasingly diverse series of styles for varied outlets; he is a notable defender of the merits of genre fiction and plot-driven fiction, and, along with novels, he has published screenplays, children's books, comics, and newspaper serials.

The Amazing Adventures of Kavalier and Clay by: Michael                                                Chabon

The novel begins in 1939 with the arrival of 19-year-old Josef "Joe" Kavalier as a refugee in New York City, where he comes to live with his 17-year-old cousin, Sammy Klayman. With the help of his mentor, Kornblum, Joe escapes Prague by hiding in a coffin, an effort initially conceived in order to smuggle the inanimate Golem of Prague to safety, out of the collections of Munich or Berlin. Having escaped Prague, Josef leaves behind the rest of his family, including his younger brother Thomas. As the novel develops, both Sammy and Josef find their creative niches, one entrepreneurial, the latter’s artistic. Beyond having a shared interest in drawing, Sammy and Joe share several connections to Jewish stage magician Harry Houdini: Josef (like comics legend Jim Steranko) studied magic and escapology in Prague, which aided him in his departure from Europe; Sammy is the son of the Mighty Molecule, a strongman on the vaudevillecircuit.

When Sammy discovers Joe's artistic talent, Sammy gets Joe a job as an illustrator for a novelty products company, Empire Novelty. Sheldon Anapol, owner of Empire, motivated to share in the recent cultural and financial success of Superman, attempts to break into the comic-book business on the creative backs of Sammy and Josef. Under the name "Sam Clay", Sammy starts writing adventure stories with Joe illustrating them, and the two recruit several other Brooklyn teenagers to produceAmazing Midget Radio Comics (named to promote one of the company's novelty items). The pair is at once passionate about their creation, earnestly optimistic about making money, and always nervous about the opinion of their employers. The magazine features Sammy and Joe's character, the Escapist, an anti-fascist superhero who combines traits of (among others) Captain America, Harry Houdini, Batman, the Phantom, and the Scarlet Pimpernel. The Escapist becomes tremendously popular, but like talent behind Superman, the writers and artists of the comic get a minimal share of their publisher's revenue. Sammy and Joe are slow to realize that they are being exploited, as they have private concerns: Joe is trying to help his family escape from Nazi-occupied Prague, and has fallen in love with the bohemian Rosa Saks, who has her own artistic aspirations, while Clay works to find his sexual identity and seeks progress in his professional and literary career.

For many months after coming to New York, Joe is driven by an intense desire to improve the condition of his family, still living under a regime increasingly hostile to their kind. This drive shows through in his work, which remains for a long time violently anti-Nazi despite his employer's concerns. In the meantime, he is spending more and more time with Rosa, appearing as a magician in the bar mitzvahs of the children of Rosa's father's acquaintances, even though he sometimes feels guilty at indulging in these distractions from the primary task of fighting for his family. After multiple attempts and considerable monetary sacrifice, Joe ultimately fails to get his family to the States, his last attempt having resulted in putting his younger brother aboard a ship that was destroyed by a German U-boat. Distraught and unaware that Rosa is pregnant with his child, Joe enlists in the navy, hoping to fight the Germans. Instead, he is sent to a secluded naval base in Antarctica. After a faulty chimney fills the base with carbon monoxide, Josef emerges from this interlude the lone survivor from his station. When he makes it back to New York, ashamed to show his face again to Rosa and Sammy, he lives and sleeps in a hideout in the Empire State Building, known only to a small circle of magician-friends.

Meanwhile, Sam develops a romantic relationship with the radio voice of The Escapist, Tracy Bacon. Bacon's movie-star good looks initially intimidate Clay, but later they fall in love. When Tracy is cast as The Escapist in the film adaptation of the now-popular franchise, he invites Clay to move to Hollywood with him, an offer that Clay accepts. But later, when Bacon and Clay go to a friend's beach house with several other gay couples, the private dinner is raided by the local police as well as two off-duty FBI agents. All of the men at the party are arrested, except for two who hid under the dinner table, one of whom is Sam Clay. The FBI agents use their authority to sexually abuse Sam and the other man. After this episode, Clay decides that he can't live with the constant threat of being persecuted because of his relationship with Tracy; he does not travel with Bacon. Some time after Joe leaves, Sammy marries Rosa and moves with her to the suburbs, where they raise her son Tommy in what outwardly appears to be a typical traditional nuclear family.

Sammy and Rosa cannot hide all their secrets from Tommy, however, who manages to take private magic lessons in the Empire State Building from Joe for the better part of year without anyone else's knowledge. Tommy is instrumental in finally reuniting the Kavalier and Clay duo, which works with renewed enthusiasm to find a new creative direction for comics. Joe moves into Sammy and Rosa's house. Shortly afterwards, Sammy's homosexuality is revealed on public television. This further complicates the attempts of Rosa, Sammy, and Joe to reconstitute a family. In the end, despite Joe and Rosa's efforts to convince Sammy to stay, he leaves the house in the middle of the night without saying goodbye.

Many events in the novel are based on the lives of actual comic-book creators including Jack Kirby (to whom the book is dedicated in the afterword), Bob Kane, Stan Lee, Jerry Siegel, Joe Shuster, Joe Simon, Will Eisner, and Jim Steranko. Other historical figures play minor roles, including Salvador Dalí, Al Smith, Orson Welles, andFredric Wertham. The novel's time span roughly mirrors that of the Golden Age of Comics itself, starting from shortly after the debut of Superman and concluding with the Kefauver Senate hearings, two events often used to demarcate the era.

The Thousand Splendid Suns by: Khaled Hosseini

Khaled Hosseini ( Born March 4, 1965 ) is an Afghan-born American novelist and physician. After graduating from college, he worked as a doctor in California, an occupation that he likened to "an arranged marriage". He has published three novels, most notably his 2003 debut The Kite Runner, all of which are at least partially set in Afghanistan and feature an Afghan as the protagonist. Following the success of The Kite Runner he retired from medicine to write full-time.

Hosseini was born in Kabul, Afghanistan. His father worked as a diplomat, and when Hosseini was 11 years old, the family moved to France; four years later, they applied for asylum in the United States, where he later became a citizen. Hosseini did not return to Afghanistan until 2001 at the age of 36, where he "felt like a tourist in [his] own country". In interviews about the experience, he admitted to sometimes feeling survivor's guilt for having been able to leave the country before the Soviet invasion and subsequent wars.

All three of his novels became bestsellers: The Kite Runner spent 101 weeks on The New York Times Best Seller list, four of them at number one. A Thousand Splendid Suns (2007) was a Times Best Seller for 103 weeks, 15 at number one.And the Mountains Echoed (2013) debuted near the top of the Times list and remained on it for 33 weeks until January 2014.

The Thousand Splendid Suns by: Khaled Hosseini

The novel centers around two women, Mariam and Laila, how their lives become intertwined after a series of drastic events, and their subsequent friendship and support for each other in the backdrop of Kabul in the 20th and 21st century. It is split into four parts that focus on individual stories: Part one is about Mariam, part two is on Laila, part three is on the relationship between the two women, and Laila's life with Tariq is in part four. The last section also happens to be the only part written in the present tense.

Mariam lives in a kolba on the outskirts of Herat with her embittered mother. Jalil, her father, is a wealthy businessman who owns a cinema and lives in the town with three wives and nine children. Mariam is his illegitimate daughter,and she is prohibited to live with them, but Jalil visits her every Thursday. On her fifteenth birthday, Mariam wants her father to take her to see Pinocchio at his movie theater, against the pleas of her mother. When he does not show up, she hikes into town and goes to his house. He refuses to see her, and she ends up sleeping on the street. In the morning, Mariam returns home to find that her mother has committed suicide out of fear that her daughter had deserted her. Mariam is then taken to live in her father's house. Jalil arranges for her to be married to Rasheed, a shoemaker from Kabul who is thirty-years her senior. In Kabul, Mariam becomes pregnant seven successive times, but is never able to carry a child to term. This is a sad, disquieting reality for both Rasheed and Mariam. Ultimately Rasheed grows more and more despondent over his wife's inability to have a child and particularly a son. As their marriage wears on Rasheed gradually becomes more and more abusive.

Part Two introduces Laila. She is a girl growing up in Kabul who is close friends with Tariq, a boy living in her neighborhood. They eventually develop a romantic relationship despite being aware of the social boundaries between men and women in Afghan society. War comes to Afghanistan, and Kabul is bombarded by rocket attacks. Tariq's family decides to leave the city, and the emotional farewell between Laila and Tariq culminates with them making love. Laila's family also decides to leave Kabul, but as they are packing a rocket destroys the house, killing her parents and severely injuring Laila. Laila is subsequently taken in by Rasheed and Mariam.

After recovering from her injuries, Laila discovers that she is pregnant with Tariq's child. After being informed by Abdul Sharif that Tariq has died, she agrees to marry Rasheed, a man eager to have a young and attractive second wife in hopes of having a son with her. When Laila gives birth to a daughter, Aziza, Rasheed is displeased and suspicious. This results in him becoming abusive towards Laila. Mariam and Laila eventually become confidants and best friends. They plan to run away from Rasheed and leave Kabul but are caught at the bus station. Rasheed beats them and deprives them of water for several days, almost killing Aziza.

A few years later, Laila gives birth to Zalmai, Rasheed's son. The Taliban has risen to power and imposed harsh rules on the Afghan population, prohibiting women from appearing in public without a male relative. There is a drought, and living conditions in Kabul become poor. Rasheed's workshop burns down, and he is forced to take jobs for which he is ill-suited. He sends Aziza to an orphanage. Laila endures a number of beatings from the Taliban when caught alone on the streets in attempts to visit her daughter.

Then one day Tariq appears outside the house, and he and Laila are reunited. Laila realizes that Rasheed had hired Abdul Sharif to inform her about Tariq's fake death, so that he could marry her. When Rasheed returns home from work, Zalmai tells his father about the visitor. Rasheed starts to savagely beat Laila. He nearly strangles her, but Mariam intervenes and kills Rasheed with a shovel. Afterwards, Mariam confesses to killing Rasheed in order to draw attention away from Laila and Tariq. Mariam is publicly executed, allowing Laila and Tariq to leave for Pakistan with Aziza and Zalmai. They spend their days working at a guest house in Murree, a summer retreat.

After the fall of the Taliban, Laila and Tariq return to Afghanistan. They stop in the village where Mariam was raised, and discover a package that Mariam's father left behind for her: a videotape of Pinocchio, a small sack of money, and a letter. Laila reads the letter and discovers that Jalil had regretted sending Mariam away. Laila and Tariq return to Kabul and use the money to fix up the orphanage, where Laila starts working as a teacher. Laila is pregnant with her third child, and if it is a girl, Laila has already named her Mariam.

REACTION

The story is good for me from the begining to the last.